Boundaries - For soprano voice and piano has been submitted to the Jette Parker Young Artists programme. An original text was written by Yseult Nash. The piece is in five sections with two short piano interludes separating the journey of the character. The piece is to be workshopped for hopeful future performance.
New commission to write a small song cycle for performance in the Jette Parker Young Artists programme run by the Royal Opera House Covent Garden. The piece is called “Boundaries” the book Madame Zero by Sarah Hall was behind initial ideas for the song text. The songs will focus on states of being and thresholds. Performances due for Spring 2018. More details to follow.
A proposal for a new graphic score has been submitted to l’Autre Musique based in Paris. The workshops will take place in December and March. The collective is spearheaded by Frédéric Mathevet and a drive for new methods of music scoring and abstract interpretations. The new piece is a concept around using the barcode as a tool for creating music.
This Thursday see a concert of Engine Room Finalist pieces at the Iklectik space in Waterloo, London. ‘Warnings’ will be performed by violinist Alina Hiltunen from Finland. The evening to begin at 8pm. Pleas follow the link below for further information.
PRESS THE ENGINE ROOM 2017 WINNERS ANNOUNCED AT MORLEY GALLERY
The winners of this year’s Engine Room International Sound Art Competition were announced at the exhibition’s private view, held at Morley Gallery on 3 May 2017.
First Prize was awarded to UK artist Laura Daly for her work “Shadowland”, an installation that reflects on the strength of human spirit in the face of adversity and which is inspired by the destruction of Cambodia’s Sbek Thom shadow puppet theatre at the hands of the Khmer Rouge.
Second Prize was awarded to “Year in Review”, a work by the UK’s George Cloke that is designed to confront listeners with the normalisation of atrocities through sound samples from a year’s worth of radio news bulletins.
Third Prize was awarded to US artist Nolan Lem for “Autonomous Sense Object”, which uses the phenomenon of ASMR to ask us to reassess our relationship tosound through the dialectics of power and control.
Commenting on the 2017 competition, First Prize winner Laura Daly said: “The breadth and scope of The Engine Room’s finalists represent an exciting picture of what is happening in sound art. Situating new works on an international platform, it’s a great opportunity for emerging sound artists to raise their profile and engage with practitioners from different parts of the world. To be selected as a finalist amongst such strong contenders and thengiven first prize for ‘Shadowland’ is a great honour and I’m looking forward to building on this achievement.”
This year’s competition attracted 177 entries from 30 countries worldwide, and was judged by The Wire publisher Tony Herrington, sound artist and composer Dr Annie Mahtani, and sound artist Janek Schaefer.
The 20 entries that were shortlisted for the final are now on display at Morley Gallery, with a number of other pieces that received special mentions from the judges being displayed in the Cardew Space as part of The Engine Room Jukebox 2017.
The Engine Room is an initiative by Morley College, London, continuing Morley’s legacy as a leading centre for experimental music and sound art. As well as the competition exhibition, the College will be hosting a range of related events, including talks, performances and taster sessions at both the Morley College site and the nearby IKLECTIK Art Lab.
The Engine Room Exhibition runs from 4 May until 1 June, and public entry to Morley Gallery is free.
Opening hours are as follows:
Monday – Friday: 11:00 – 18:00
Saturday: 12:00 – 16:00
Sundays and bank holidays: Closed
Warnings has been selected as a finalist in the Engine Room International Sound Art Exhibition. The exhibition is currently on at the Morley Gallery in Waterloo, London.
The Engine Room celebrates the most exciting sound art being produced right now by emerging artists from across the world. Following an international open call for works, twenty finalists have been selected to exhibit by an esteemed panel of judges including sound artists Janek Schaefer, Annie Mahtani and publisher of The Wire, Tony Herrington.
The exhibition takes you on a sonic adventure across a diverse range of sound art practice from sound sculptures, sonification of data, voice, instrument anddigital sounds and even silence, with the finalists exploring themes including politics, histories and personal voice.
The Engine Room exhibition will also feature a newly commissioned work by established sound artist Tim Murray-Browne. A series of talks and events, from live performances to hands-on sound art sessions accompany the exhibition.
The show runs through to June 1st.